Joel beck författare
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He also produced the solo comics MARCHINGMARVIN and THE PROFIT (1966).
Beckmade his first national mark as acontributor "Public Gallery" in HarveyKurtzman'sHELP! KitchenSink also collected his earliest work underthe title Joel Beck's Comics and Stories.
Though Beck was prolificearly in his career, his output droppedprecipitously in the last two decades of his life,due in large part to illness and chronichomelessness.
Mr. Beck's protagonist, a child named Lenny, achieves fame and fortune by uttering "obscenities" such as "pee-pee thing", only to find his career in the dumps when the public becomes satiated with his naughtiness. In January 1966, The Pelican reprinted much of his previous work and labeled him "Man of the Decade".[2] His cartoons also appeared in the Berkeley Barb, and he penned a number of handbills and posters for the Jabberwock coffeehouse on Telegraph Avenue in Berkeley.[1] In addition, he was a founding member and regular contributor to the underground anthology Yellow Dog, published from 1968 to 1973.
In the early 1960s, he drew studio cards for Box Cards. Kitchen Sink Press reprinted those stories in 1977 under the title 'Joel Beck's Comics & Stories'. It was a satire loosely based on the career of embattled comedian Lenny Bruce. Visiting UC Berkeley, he started submitting cartoons to the campus humor magazine, The Pelican, slipping them under the door to editors who believed he was a college student.
Until his death in 1999, Joel Beck lived in obscurity in Point Richmond, California doing occasional advertising commissions and being looked after by friends.
Beck wrote a personal homage to Robert Crumb in Monte Beauchamp's book 'The Life and Times of R. Crumb. He lived for several months in Manhattan in 1962 before returning to the West Coast.
In a detailed 1987 self-portrait, Beck depicted himself in an ecstatic state, high on the act of creation, as he labored at his drawing table late into the night, surrounded by his books, artwork, comics, Pepsi and dog.[3]
Fine art
An accomplished fine artist, Beck created many paintings in acrylics, oils and watercolors—artwork now sought by international collectors.
Tributes
Kevin Fagan wrote Beck's obituary for the San Francisco Chronicle: Template:Blockquote
References
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External links
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Joel Beck
The Profit
Joel Beck was one of the earliest artists of American underground comix.
The San Francisco Chronicle commented:
In 1965, his first full-length comic book, Lenny of Laredo, was published.
Biography
Early life
Born in Ross, California, Beck grew up in El Sobrante, California, as an ill and bedridden child, who battled a combination of tuberculosis and spinal meningitis.
Martin's Griffin, New York, 1998).
From: Snarf (1973)
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In the early 1960s Joel Beck had a nine-to-five job working for Roth Greeting Cards.
Other comics of Joel Beck are 'Marching Marvin' (1966) and 'The Profit' (1966). Block' (1912) and the infamous Tijuana Bibles from the 1930s and 1940s). The comic strip that gave him this historical importance is 'Lenny of Laredo' (1965), a satirical riches-to-rags story about a foul-mouthed comedian obviously modeled after cult humorist Lenny Bruce.
Among his graphic influences are Robert Crumb, Jack Davis, Frank Frazetta, Albert Hurter, Walt Kelly, Harvey Kurtzman and Ronald Searle.
Comments From Contemporaries (St.
Underground comix
In the early 1960s, Beck moved into a converted closet in a housing unit near the campus of U.C. Berkeley, known as Haste House, and he continued to do cartoons for The Pelican.
Death
Beck died on September 21, 1999, from complications from alcoholism in Point Richmond, California.